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The Altman-esque ensemble method of building a story around a particular event (in this circumstance, the last working day of high school) had been done before, but not quite like this. There was a great deal of ’70s nostalgia within the ’90s, but Linklater’s “Slacker” followup is more than just a stylistic homage; the enormous cast of characters are made to feel so familiar that audiences are essentially just hanging out with them for a hundred minutes.
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Set in a hermetic natural environment — there aren't any glimpses of daylight in the least in this most indoors of movies — or, fairly, four luxurious brothels in 1884 Shanghai, the film builds subtle progressions of character through substantial dialogue scenes, in which courtesans, attendants, and clients focus on their relationships, what they feel they’re owed, and what they’re hoping for.
Hopkins’ Hannibal Lecter is probably the great villains in film history, pairing his heinous acts with just the right volume of warm-yet-slightly-off charm as he lulls Jodie Foster into a cat-and-mouse game for the ages. The film needed to walk an extremely fragile line to humanize the character without ever falling into the traps of idealization or caricature, but Hopkins, Foster, and Demme were in the position to do exactly that.
Side-eyed for years before the film’s beguiling power began to more fully reveal itself (Kubrick’s swansong proving to be every inch as mysterious and rich with meaning as “The Shining” or “2001: A Space Odyssey”), “Eyes Wide Shut” is often a clenched sleepwalk through a swirl of overlapping dreamstates.
The ingloriousness of war, and the root of pain that would be passed down the generations like a cursed heirloom, can be seen even from the most unadorned of images. Devoid of even bondage girl punish my nineteen year old rump and mouth the tiniest bit of hope or humor, “Lessons of Darkness” offers the most chilling and powerful condemnation of humanity within a long career that has alway looked at us askance. —LL
Played by Rosario Bléfari, Silvia feels like a ’90s incarnation of aimless twenty-something women like Frances Ha or Julie from “The Worst Individual within the World,” tinged with Rejtman’s standard brand of dry humor. When our heroine learns that another woman shares her name, it prompts an identification crisis of sorts, prompting her to curl her hair, don fake nails, and wear a fur coat to a meeting arranged between The 2.
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this fantastical take on Elton John’s story doesn’t straight-clean its subject’s intercourse life. Pair it with 1998’s Velvet Goldmine
But imagined-provoking and precisely what made this such an intriguing watch. May be the viewers, along with the lead, duped with the cosplay sex seemingly innocent character, that is truth was a splendid actor already to begin with? Or was he indeed innocent, but learnt way too fast and too well--ending up outplaying his teacher?
The secret of Carol’s sickness might be best understood as Haynes’ response to the AIDS crisis in America, as being the movie is about in 1987, a time with the epidemic’s height. But “Safe” is more than a chilling allegory; Haynes interviewed a range of women with environmental illnesses while researching his film, as well as the finished product vividly indicates that he didn’t arrive at any pat answers to their problems (or even for their causes).
Rivette was the most narratively elusive in the French filmmakers who rose up with the New Wave. He played with time and long-kind storytelling during the 13-hour “Out 1: Noli me tangere” and showed his free porn hub extraordinary affinity for women’s stories in “Celine and Julie Go Boating,” one swinger porn of many most purely enjoyment movies yespornplease with the ‘70s. An affinity for conspiracy, of detecting some mysterious plot from the margins, suffuses his work.
Many films and TV series before and after “Fargo” — not least the FX drama inspired because of the film — have mined laughs from the foibles of stupid criminals and/or middle-class mannerisms. But Marge gives the original “Fargo” a humanity that’s grounded in regard for your basic, good people with the world, the kind whose constancy holds society together amid the chaos of pathological liars, cold-blooded murderers, and squirrely fuck-ups in woodchippers.